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“Kyoto Animation has this strong belief that the ‘finished product is everything’ and doesn’t feel the need to talk about details,” he said. Nobuyuki Tsugata, an animation researcher, historian, and author, explained that “the mass media has a history of not having anything favorable to say about the anime industry which has fueled distrust.” After the incident, Kyoto Animation came to distrust the media even more, he said - in particular media outlets who don’t follow the studio’s way of thinking.Įven before the tragedy, Tsugata said, the studio and staff tended to be secretive about their projects. That is especially true with Kyoto Animation, which leaves an impression of insularity and secrecy.
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Although crowdfunding collected a staggering $30 million in donations after the tragedy, KyoAni did not hesitate to allocate all funds to survivors and victims’ families rather than setting it aside to rebuild.įor fans outside of the Japanese anime community, finding the artists behind their favorite anime series can be a maze. KyoAni is currently caught in the crossfire between grieving family members who propose erecting a monument at the demolition site and neighbors fed up by fans flocking to the residential area, especially amid the coronavirus pandemic. The question of rebuilding Studio 1 remains in limbo.
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In response, a petition alleging human rights violations was brought to the Kyoto Bar Association in December.Įnjoying this article? Click here to subscribe for full access. The studio has had a fraught relationship with the media and police after the names of 25 victims were published without permission, sparking outrage from bereaved families who called out the local media for their lack of sensitivity. Little is known about the victims, as the bereaved families have fought to keep their names out of the public.
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The building’s charred structure remained until it was demolished in late April, serving as a painful reminder to staff who work nearby at KyoAni’s other offices. The majority of the injured returned to work for the company. Thirty-three people managed to escape, albeit with burns, broken bones and trauma. When a deranged man poured gasoline at the entrance of the Studio 1 building on July 18, 2019, 70 staff were inside. For the studio, it meant the loss of 36 irreplaceable producers, directors, color designers, and animators – friends and coworkers. In the aftermath of the arson attack, the studio has struggled with unwanted attention from Japan’s mass media, which has traditionally paid little interest to the geeky world of anime production.įor the media, the incident is notable as Japan’s worst post-war mass murders. But the 69-year-old founder and CEO, Hideaki Hatta, could not have foreseen the deadly attack, or the rocky year that has followed, even with his decades of experience. On the cusp of the studio’s 40th anniversary, the family-run business, founded in 1981, should be celebrating its well-deserved industry success. Before Kyoto Animation fell victim to a vicious arson attack that hurled the relatively small studio into international news headlines, it was known simply for its “KyoAni” quality, which captured a global cult following.